On the menu: Salt crust baked celeriac, curry brittle, parmesan and passion fruit
Such a beautiful plate, and surprisingly complex for a meat-less dish. How did you come up with such an unusual combination?
Chef Gregory Czarnecki: I wanted to do something with this dish that you can’t do in Europe, where if you follow the seasons, and you respect the origin of the product, celeriac is a winter or spring root vegetable, whereas in South Africa winter almost takes up half of spring (especially now!). So I wanted to showcase something that wouldn’t be possible in Europe, and that also represents this country. People often think of South Africa in terms of landscape, and culture, but it’s also about the weather: so while in the western Cape we’ll have root vegetables now, in Durban, you’ll have passion fruit in the same season, growing at exactly the same time. This just wouldn’t be possible in Europe, so I wanted to come up with something that would promote the two different regions and climates you can have here at the same time, and that would also bring together a really “old school” vegetable and an exotic fruit. Continue reading “Story of a Plate: Salt Crust Baked Celeriac at Waterkloof”
I’ve been hearing about Mulberry & Prince off and on, but was getting no real view on the type of food they cooked. Their Facebook page identifies the menu style as “New American” and I’ll save you the trouble of Googling what that means – it’s essentially anything you want it to mean. The term encompasses plates that combine ideas and/or cookery from the USA with any other global cuisine, and clearly it’s most used in the USA itself to indicate a combination of food styles, like spring rolls fused with a uniquely American ingredient, such as crab from the east coast. Continue reading “Review: Mulberry & Prince”
Every time I eat here again, I remind myself not to make it too long before the next visit. This casual bistro exemplifies good food at good prices. It’s not following trends, neither is it guilty of the “everything done more or less ok” approach that too many casual eateries go for.
Case in point was my lunch plate: warm pickled pork tongue with a home-made mustard, potato salad and vegetables (R90). It was just right in flavour, texture and balance and, paired with a glass of the Joostenberg Fairhead, left the distinct impression that this is the kind of food that one could eat every day – satisfying on all gustatory fronts, as well as interesting to anyone who’s looking for something a touch different. So too the crême brulée with its guava base and orange flavour – a well-known dessert with a fresh twist. Continue reading “Review: Klein Joostenberg Bistro”
One of the most talked about restaurant openings in the U.S. recently has been Vespertine in Culver City, Los Angeles. Self-described as “a gastronomical experiment seeking to disrupt the course of the modern restaurant”, the building it’s housed in (pictured here*) has been described by others as a “crashed spaceship”, and dining there like “eating on Jupiter”. Jonathan Gold, the Pultizer-prize winning critic for the L.A. Timessummarises the experience:
It’s not dinner; it’s Gesamtkunstwerk [German for ‘total work of art’]…“Checking in with valet before dinner is required,’’ says an email sent to you before your dinner, “as this member of our team is integral to your experience.’’ You hand off your keys. You walk past a watery ditch lined with shattered rock whose cracks ooze green light. You are led to an elevator in the rust-colored steel structure, and are let off in the kitchen and a bowing Kahn. You climb stairs to an aerie at the top, settle into low couches, sip at a concoction of white vermouth garnished with a purple passion fruit flower. This is the first of many flowers you will see tonight. You will recognize none of them. … The more you eat of the turnips, the more vinegary the dish becomes, until by the end you are practically coughing at the fumes.Continue reading “Dinner Theatre”