I’ve been hearing about Mulberry & Prince off and on, but was getting no real view on the type of food they cooked. Their Facebook page identifies the menu style as “New American” and I’ll save you the trouble of Googling what that means – it’s essentially anything you want it to mean. The term encompasses plates that combine ideas and/or cookery from the USA with any other global cuisine, and clearly it’s most used in the USA itself to indicate a combination of food styles, like spring rolls fused with a uniquely American ingredient, such as crab from the east coast. Continue reading “Review: Mulberry & Prince”
Every time I eat here again, I remind myself not to make it too long before the next visit. This casual bistro exemplifies good food at good prices. It’s not following trends, neither is it guilty of the “everything done more or less ok” approach that too many casual eateries go for.
Case in point was my lunch plate: warm pickled pork tongue with a home-made mustard, potato salad and vegetables (R90). It was just right in flavour, texture and balance and, paired with a glass of the Joostenberg Fairhead, left the distinct impression that this is the kind of food that one could eat every day – satisfying on all gustatory fronts, as well as interesting to anyone who’s looking for something a touch different. So too the crême brulée with its guava base and orange flavour – a well-known dessert with a fresh twist. Continue reading “Review: Klein Joostenberg Bistro”
One of the most talked about restaurant openings in the U.S. recently has been Vespertine in Culver City, Los Angeles. Self-described as “a gastronomical experiment seeking to disrupt the course of the modern restaurant”, the building it’s housed in (pictured here*) has been described by others as a “crashed spaceship”, and dining there like “eating on Jupiter”. Jonathan Gold, the Pultizer-prize winning critic for the L.A. Timessummarises the experience:
It’s not dinner; it’s Gesamtkunstwerk [German for ‘total work of art’]…“Checking in with valet before dinner is required,’’ says an email sent to you before your dinner, “as this member of our team is integral to your experience.’’ You hand off your keys. You walk past a watery ditch lined with shattered rock whose cracks ooze green light. You are led to an elevator in the rust-colored steel structure, and are let off in the kitchen and a bowing Kahn. You climb stairs to an aerie at the top, settle into low couches, sip at a concoction of white vermouth garnished with a purple passion fruit flower. This is the first of many flowers you will see tonight. You will recognize none of them. … The more you eat of the turnips, the more vinegary the dish becomes, until by the end you are practically coughing at the fumes.Continue reading “Dinner Theatre”
So I’m going to jump on the bandwagon – but if you think I’m going to predict which are my top restaurants, think again – what follows are my nominations for Best Food Movie. Now there are some provisos as this is a fairly contentious movie category and I welcome debate and dissent (feel free to send in your comments).Continue reading “Pinch of Salt: Food Oscars”
On the menu: Smoked tomato risotto, bacon, leek and baby marrow, steamed mussels
We loved the innovative presentation of this dish, the great tomato flavour, it’s contrasting textures, as well as perfectly cooked risotto. Tell us a bit about it?
Chef Warwick Taylor: I like runny risotto… so many people throw in cream and mascarpone cheese, which it’s not meant to have. It’s meant to be an emulsion of the fat you use, like butter, which keeps it light. It’s really more about the sauce around the rice than anything else. Then we throw in some smoked bacon, leeks, baby marrow, and baby spinach. We slow-smoke tomatoes over Rooikrans wood and then make a little tomato sauce out of that. So we have a nice smoked tomato sauce as a base, which we fold into the risotto, and off we go. For the mussels, a bit of white wine, soft herbs, a little bit of lemon in there, so they’re basically just steamed open, and then we pop them into the risotto.
It’s such an attractive plate! Is it of your own devising, or were you inspired elsewhere?
A relative newcomer in Franschhoek, Marigold is part of the Leeu Collection which acquired Le Quartier Français and has replaced its erstwhile icon restaurant, The Tasting Room, with an offshoot of another Cape icon, La Colombe, in the form of La Petite Colombe.
Marigold, billing itself as “authentic Indian” is not part of the same building as Le Quartier, however, but across the main road and occupying a stand-alone building, the interior of which is rather lightly clad in Indian decor touches. On this lunch, I enjoyed the light-filled and less cluttered space, but the feeling I had was that it may not feel as cosy or plush as one would like over dinner. The lunch service was busy (considering how quiet Franschhoek can be in winter), and there were quite a few tables of international visitors, and even a large Indian family who wandered in to get take-aways… making it feel very authentic indeed. Continue reading “Review: Marigold”
Established in 1976, this icon has moved a few times but has been at its current Umhlanga Rocks location since 1999. I can only imagine it stood out more proudly at that time – now the vertical growth of the neighbourhood lends the restaurant a kind of “hidden corner” feeling, while the strip spawns more and more of the usual cheerfully rowdy drinks-and-basic-grub outlets that South Africa is rapidly filled with.
I’ve eaten here a number of times over the last decade-plus, and it’s always wonderful to be able to return to a restaurant over and over and find it mostly unchanged, since in so doing they curate our memories and are polite about our mortality – for if these stay, and stay the same, so, it seems, do we… at least a part of us. Continue reading “Review: Restaurant Ile Maurice”
I was walking with my wife through the Sabine Hills in Italy and we stayed a night at an agriturismo – one of those organic farmsteads that give you a room and a bed and a meal of food grown on the farm. They’re very proud of the fact that everything is grown on the farm.
We sat down to dinner and the hostess placed a bowl of olives on the table and pitcher of water with slices of yellow lemon and a vase of flowers.
On the menu: Tempura linefish with sushi rice, avocado, sesame, wasabi mayonnaise & spiced lemon dressing
On a recent visit, we found this dish to be a real standout, both on the plate and in its precision of flavour. What was the inspiration behind it?
Chef Richard Carstens: In 1993 I was working for my mentor, Ralph van Pletzen, at a restaurant called Ralph’s in Stellenbosch, and he was the one who introduced me to a lot of aspects of Asian cuisine, like Indonesian, Chinese and Thai.
In those days not everything was readily available on the Internet, but there were these amazing magazines like Vogue Entertaining, and I was always drawn to Japanese cuisine, which was really coming to the fore in Australia. So I went to Australia around ’97-’98, and lived in Melbourne for that period, working for a chef who was into French-Japanese fusion, or Franco-Japanese cuisine. When I came back in ’98 I was working at Le Provençal restaurant in Franschhoek (now Grande Provence), and that’s where I started Franco-Japanese cuisine. There’s one dish from that era, the “Franco-Japanese interpretation” of oyster, prawn, calamari, and linefish, which I still do an evolution of every year (sometimes with up to three different versions, like when I was working in at Lynton Hall,* where we changed our degustation menu every night). Continue reading “Story of a Plate: Tempura Linefish at Tokara”
Just as Cape Town gears up to host its very first pizza and pasta festival, it was slightly unnerving to read about a recent pizza festival in Brooklyn, New York, that left attendees feeling rightly cheated of the money they had spent on tickets (up to $69 per person), when instead of an abundance of pies (as they call them over there), they found mostly empty tents and pretty pathetic pizza offerings.