I’ve been hearing about Mulberry & Prince off and on, but was getting no real view on the type of food they cooked. Their Facebook page identifies the menu style as “New American” and I’ll save you the trouble of Googling what that means – it’s essentially anything you want it to mean. The term encompasses plates that combine ideas and/or cookery from the USA with any other global cuisine, and clearly it’s most used in the USA itself to indicate a combination of food styles, like spring rolls fused with a uniquely American ingredient, such as crab from the east coast. Continue reading “Review: Mulberry & Prince”
Every time I eat here again, I remind myself not to make it too long before the next visit. This casual bistro exemplifies good food at good prices. It’s not following trends, neither is it guilty of the “everything done more or less ok” approach that too many casual eateries go for.
Case in point was my lunch plate: warm pickled pork tongue with a home-made mustard, potato salad and vegetables (R90). It was just right in flavour, texture and balance and, paired with a glass of the Joostenberg Fairhead, left the distinct impression that this is the kind of food that one could eat every day – satisfying on all gustatory fronts, as well as interesting to anyone who’s looking for something a touch different. So too the crême brulée with its guava base and orange flavour – a well-known dessert with a fresh twist. Continue reading “Review: Klein Joostenberg Bistro”
A relative newcomer in Franschhoek, Marigold is part of the Leeu Collection which acquired Le Quartier Français and has replaced its erstwhile icon restaurant, The Tasting Room, with an offshoot of another Cape icon, La Colombe, in the form of La Petite Colombe.
Marigold, billing itself as “authentic Indian” is not part of the same building as Le Quartier, however, but across the main road and occupying a stand-alone building, the interior of which is rather lightly clad in Indian decor touches. On this lunch, I enjoyed the light-filled and less cluttered space, but the feeling I had was that it may not feel as cosy or plush as one would like over dinner. The lunch service was busy (considering how quiet Franschhoek can be in winter), and there were quite a few tables of international visitors, and even a large Indian family who wandered in to get take-aways… making it feel very authentic indeed. Continue reading “Review: Marigold”
Established in 1976, this icon has moved a few times but has been at its current Umhlanga Rocks location since 1999. I can only imagine it stood out more proudly at that time – now the vertical growth of the neighbourhood lends the restaurant a kind of “hidden corner” feeling, while the strip spawns more and more of the usual cheerfully rowdy drinks-and-basic-grub outlets that South Africa is rapidly filled with.
I’ve eaten here a number of times over the last decade-plus, and it’s always wonderful to be able to return to a restaurant over and over and find it mostly unchanged, since in so doing they curate our memories and are polite about our mortality – for if these stay, and stay the same, so, it seems, do we… at least a part of us. Continue reading “Review: Restaurant Ile Maurice”
Ironically, but quite happily so, it transpires, I managed to get to La Boqueria for lunch on the day we were planning to have dinner there, but then didn’t, because my dinner party had concerns over: a) the potential noise levels at La Boqueria (we wanted to catch up over an old-fashioned conversation); and b) reports from a few diners that the food still needed to find its footing.
Well, on both counts, we would have been better off at La Boqueria than at our second option, Café del Sol Tre. At Tre, the jammed-up tables and pumping scene were as noisy as it gets, and the food was uniformly drab and lacking in almost any flavour – the pastas were a world apart from the very good ones I’d recently tasted at Gemelli. Continue reading “Review: La Boqueria”
Confusion reigned on the floor and by the end of the evening the bathroom looked like an Indonesian airport’s. Gemelli was spinning on a Monday night, barely holding on while trying to cope with the hungry, boisterous patrons, some guests bearing helium balloons and descending on large party tables, other guests looking rather lost amongst the melee at their tables for two.
We were approached by a succession of waiters with no-one managing to take firm hold after a swarming start… on one occasion a replacement bottle of wine arrived and was placed, unopened, on the table, where it stood for ten minutes, waiters rushing by, before I managed to get the cork pulled. How I missed a Swiss army knife then. On another occasion, there was an auction of starters at our table – an unordered antipasti platter that arrived with our calamari. The waiter was convinced we had ordered it. After tasting the calamari, it was so good, we should probably have kept the antipasti plate. Continue reading “Review: Gemelli, Bryanston”
If you stop and think about it, it’s interesting that we visit a top-end restaurant, hand over a couple of thousand Rand per head for the pleasure, and then profusely thank the waiter, the manager and the chef for the privilege when we leave.
This gratitude is only elevated the more rare the opportunity, like when we land a table at a place that really is difficult to get into. What this brings into focus is that we are the guests of the restaurant and they are the hosts, and we thank them as we would thank the hosts at a domestic dinner party. We only stop short of bringing them flowers.
Continue reading “Dining Etiquette and Jazz”
Chef Ivor Jones, previously head chef at the much-lauded The Test Kitchen, captains this luxury winelands offshoot of Liam Tomlin’s Chefs Warehouse in Cape Town.
When it opened, Chefs Warehouse in Cape Town quickly became a food-hound’s favourite for the sheer quality of the cuisine and the fact that one could enjoy various flavours in miniature through the “tapas for two” option where two diners submit to the pleasures of the kitchen and enjoy a series of dishes. It’s a less fussy version of a tasting menu – albeit pretty far from “tapas” in a true sense of the word as they’re smaller portions of pretty cheffy food. The distinct advantage of this approach is that the kitchen can react to new or seasonal or a whim pretty quickly, and offer an ever-changing menu for those who return often.
While the original Chefs embodies a “no-fuss” environment – the tiny dining space alongside and indeed within a retail space with ingredients and cooking utensils all around – the Beau Constantia edition is considerably more upmarket in feel and very far from being a warehouse in any sense of the word, and more of a showroom. The new Chefs Warehouse does, however, also anchor its menu on the “tapas for two”.
Continue reading “Review: Chefs Warehouse at Beau Constantia”
“Coobs sources their (sic) produce from local suppliers and organic farms to create unique modern bistro-style food. Close to 75% of ingredients come from our organic farm ‘Brightside’ in the Magaliesburg.”
South African restaurants are not big on provenance in an authentic, through-the-line way. Here and there, menus make reference to a few farms but they as often slip in the name of a supplier or a feedlot (e.g. Karan beef) in the qualifier place, as if that’s proof of provenance. Well it is, but it’s a bit like saying they buy their lettuce from Woolies to make you feel like you’re getting the close to origin. It’s not the same as going all the way back to the farmer.
Continue reading “Review: Coobs, Parkhurst”