From our newsletter:
In our last newsletter, we linked to an article questioning whether we are witnessing the “twilight of the celebrity chef”, following the closure of a number of restaurants whose high-profile benefactors apparently weren’t enough to keep their establishments afloat. Last weekend the Financial Times published a profile of Jamie Oliver, whose restaurant empire appears to have been particularly hard hit by a combination of poor management, politics (Brexit!), and other factors one can sometimes be fooled into imagining that rich famous people never have to deal with:
“‘We had simply run out of cash,’ he recalls, as we sit on a vintage sofa at Oliver headquarters in north London nine months later. ‘And we hadn’t expected it. That is just not normal, in any business. You have quarterly meetings. You do board meetings. People supposed to manage that stuff should manage that stuff.’ A surprisingly sharp tone in his voice suggests that someone let him down and he was none too pleased. Oliver was left with no choice but to instruct his bankers to inject £7.5m from his own savings into the restaurants. A further £5.2m of his own money would follow over the next few months. Last year, Oliver was said to be worth £150m. Even so, £12.7m is not the kind of money that slips down the back of a sofa, vintage or otherwise”. Continue reading “The trouble with celebrity chefs”
On the menu: Saldanha Bay mussels – spekboom / samphire / parsley oil / sea essence
We asked chef Andre Hill to talk us through his favourite dish on the menu at the newly opened Upper Bloem Restaurant.
Chef Andre Hill: The dish that I enjoy the most – because it reminds me very much of growing up – is the mussels. The dish itself is fairly simple; nothing very complicated in terms of either ingredients or techniques – we make a broth from smoked snoek, which we cook the mussels in, and use again to make the emulsion that goes with them. We then take some leeks, cook them for about seven minutes in a bit of oil, and then char them. So the plate consists of a mussel emulsion, the actual mussels, charred leeks, a bit of parsley oil, and then we finish it off with spekboom. Continue reading “Story of a Plate: Saldanha Bay Mussels at Upper Bloem Restaurant”
By Pete Goffe-Wood.
“Can I have the Caesar Salad without anchovies, please?”
“Sure, while I’m at it why don’t I just remove the nasty smelling lactose-infected Parmesan and those awful gluten-laden croutons and bring you a bowl of f@#%ing lettuce!”
It doesn’t matter how many Stars, Chef’s Hats, Blazons, Grammys, Oscars or Eat Out awards your establishment has garnered; there will always be someone who walks in, sits down and decides they know better. Someone who feels that their years of experience of shopping at Woolworths, watching Food Network and “travelling darling, travelling” give them carte blanche to come in and literally ignore the entire kitchen’s reason for living.
I’m never sure if these people are just picky eaters, attention-seekers or on some egomaniacal power trip, but they always feel they have some God-given right to use the menu as a shopping list rather than a bill of fare: they want a starter portion of the squid with the trout garnish but without the potatoes (they “don’t do” protein and starch), and they also want the sauce from the mussels off the set menu but can it be made without butter and olives instead of capers?
They don’t fancy asparagus but they like risotto – can you not do the asparagus risotto with something else? Continue reading “Pinch of Salt: Menus – who needs ’em?”
From our latest newsletter:
Everyone has their favourite “food movies” (our guest chef-writer Pete Goffe-Wood rounded up his personal best for his imagined Food Oscars last year), or at least food scenes from movies – *that* scene from When Harry and Sally featuring Meg Ryan and Billy Crystal in Katz’s Delicatessen in New York jumps to mind for those of us of a certain age. But of course Meg Ryan’s performance is memorable not for what she’s eating, but rather for the, uhm, uncomfortable position she puts Billy Crystal’s character in while he’s trying to eat a sandwich. Continue reading “Women Eating in Movies”
From our June 15 newsletter:
It’s been a week since the tragic news of Anthony Bourdain’s death by suicide sent much of the food world reeling, and a significant proportion of the non-food world too, notably Barack Obama, who that evening tweeted the following memory from his appearance on the Vietnam episode of Bourdain’s CNN series Parts Unknown:
Continue reading “In Memoriam: Anthony Bourdain (1956-2018)”
In a slight departure from our usual Story of a Plate series, where we feature interesting and unusual dishes encountered at SA restaurants, we thought it would be fun to introduce you to a dish from Jean-Pierre’s recent travels to Maryland, D.C., where crab cakes are as ubiquitous on local menus as fish cakes are here at home.
While there are of course numerous variations on fish cakes (apparently the most ordered item on South African menus), like which fish is used, and which combination of spices and/or herbs, mashed potato is fairly standard across the board as a filler. In the US, the closest a potato will (or should) come to a crab cake is in the heap of French fries or crisps they are typically served with.
Continue reading “Story of a Dish: Maryland Crab Cake”
From our May 5 newsletter:
Artificial Intelligence (AI) is a divisive concept, as partly captured in the idea of whether we should welcome or fear the “robot overlords” (adapted from the 1977 film adaptation of HG Wells’ Empire of the Ants, in which Joan Collins reacts to the threat of giant ants out to take over the world with “I, for one, welcome our new insect overlords”).
In the restaurant world, digital innovations designed to make the lives of both diners and staff easier have been around for years already, from being able to order off interactive table surfaces at eateries like Inamo in London, to restaurants in China replacing waitstaff (and noodle makers) with robots, not to mention IBM’s “chef” version of Watson – the “supercomputer” that famously beat human contestants on the TV quiz show Jeopardy in 2011 – which allows both chefs and home cooks to generate innovative recipes based on a database that houses thousands of possible combinations of ingredients that none of us would imagine work, but which are scientifically compatible according to their flavour profiles (Watson has even “authored” a cookbook).
Continue reading “Artificial Intelligence in the Kitchen”
By Pete Goffe-Wood.
Julia Child, the celebrated American food writer and TV chef, once quipped that “The only time to eat diet food is while you’re waiting for the steak to cook”.
Well, I couldn’t agree more, and now that the winter is finally upon us, it’s time for smouldering coals, smoky red wine and large cuts of steak slowly charring to perfection.
If you’re going to cook steak over the open fire you’ll achieve far better results if you go for larger cuts of meat: cooking a 1kg piece of meat will produce far more consistent and desirable results than five 200g steaks, and you’ll get a better char on the bigger cut without sacrificing those pink, inner juices (as long as you don’t overcook it!). There are few more glorious slabs of marbled and aged flesh on the fire than an enormous T-bone. Continue reading “Pinch of Salt: Steak, Glorious Steak”
From our May 4 2018 newsletter:
Earlier this week, chef Clare Smyth (who worked with Gordon Ramsay for over a decade) was named elit Vodka‘s (in partnership with The World’s 50 Best Restaurants) “World’s Best Female Chef“, which some critics lauded as a win for Britain (Smyth being the first British chef to be recognised as such, after already being the first British female chef “to hold and retain 3 Michelin stars“), while others lamented what they saw as the condescension of having an award specifically for females (Bourdain’s tweet below, from 2013, indicates that this has been a concern for some time already):
Continue reading “The World’s “Best Female Chef””
From our April 2018 newsletter:
There was an interesting piece published recently which aimed to make the case for seeing restaurants as “third spaces” (Wikipedia defines a third space as a slightly complicated “postcolonial sociolinguistic theory of identity”, but we’ll go with the simpler definition given in the article about restaurants operating as “cultural hubs” that recognise the uniqueness of everyone who works at and visits them, rather than “just” formulaic watering and feeding holes). Continue reading “Considering restaurants as the “third space””