By Pete Goffe-Wood.
Cooking over hot coals is the measure of a man, making and controlling fire is what has helped us rise above the rest of the animal kingdom, and braaing is what sets men apart from other men. It is an unspoken language in which you are sized up by peers and judged to be an equal or found to be wanting.
We have been cooking over open flames since the dawn of time, and recent archeological discoveries have seen cave paintings that prove unequivocally that South Africans were braaing while others were still trying to walk erect.
So it comes as no surprise then that we take it a little more seriously – it is clearly etched in our DNA. Continue reading “Pinch of Salt: Man on Fire”
Chef Bertus Basson has always been a highly charged individual, and of late he has channelled ever-more of this incandescent energy into his food enterprises, opening a number of restaurants and off-shoots to restaurants as well as being featured in a number of local food TV series. The latest restaurant to open is Eike (which will soon be reviewed); joining Bertus Basson at Spice Route, Spek en Bone, De Vrije Burger, The Deck and his very popular catering company.
This latter part of his career, leading to his current position as one of South Africa’s pre-eminent chefs – one could call it his “mature” phase, even though he would probably dislike this – began at Overture on the Hidden Valley wine farm just over 10 years ago. Since Overture was recently re-opened after a renovation, it was a good time to revisit the “mothership” of his current portfolio. Continue reading “Review: Overture Restaurant”
By Pete Goffe-Wood.
“Can I have the Caesar Salad without anchovies, please?”
“Sure, while I’m at it why don’t I just remove the nasty smelling lactose-infected Parmesan and those awful gluten-laden croutons and bring you a bowl of f@#%ing lettuce!”
It doesn’t matter how many Stars, Chef’s Hats, Blazons, Grammys, Oscars or Eat Out awards your establishment has garnered; there will always be someone who walks in, sits down and decides they know better. Someone who feels that their years of experience of shopping at Woolworths, watching Food Network and “travelling darling, travelling” give them carte blanche to come in and literally ignore the entire kitchen’s reason for living.
I’m never sure if these people are just picky eaters, attention-seekers or on some egomaniacal power trip, but they always feel they have some God-given right to use the menu as a shopping list rather than a bill of fare: they want a starter portion of the squid with the trout garnish but without the potatoes (they “don’t do” protein and starch), and they also want the sauce from the mussels off the set menu but can it be made without butter and olives instead of capers?
They don’t fancy asparagus but they like risotto – can you not do the asparagus risotto with something else? Continue reading “Pinch of Salt: Menus – who needs ’em?”
In 1979, the late Lannice Snyman, a doyenne of South African cookery, published a cookbook called Free from the Sea. Nearly 40 years later, it remains remarkable that this natural wilderness offers us so much food, but I doubt anyone today – writer or publisher – would have the guts to use such a title for a seafood book: the myth of sea as an endless buffet is, one hopes, finally dying.
But it’s a struggle to regulate fisheries thanks to so much open space, so many players, and so few enforceable boundaries. While there have been some successes, the big picture is ever-bleaker. Part of the problem is that, for so long, we’ve viewed seas as discreet spaces, and if we just look after our own stretch, we might be doing alright. But there is, in reality, only one ocean as all seas are linked by winds, currents and migratory patterns. Continue reading “Food from the sea”
As of writing, the Norval Foundation building is so new that they are still snag-fixing, but it is already something to behold, and clearly adds another contemporary jewel to the crown of the Cape’s beautiful art spaces so far populated by the likes of the Zeitz MOCAA and Cavalli. The Norval is a space where creativity is on display in the architecture as much as in the sculpture garden and the exhibits within. The gallery has a strong link to the famed South African artist Cecil Skotnes, hence the name of the restaurant on the premises. So it’s an eatery with plenty of sophistication and high art around it to live up to. Continue reading “Review: Skotnes at Norval Foundation”
From our June 15 newsletter:
It’s been a week since the tragic news of Anthony Bourdain’s death by suicide sent much of the food world reeling, and a significant proportion of the non-food world too, notably Barack Obama, who that evening tweeted the following memory from his appearance on the Vietnam episode of Bourdain’s CNN series Parts Unknown:
Continue reading “In Memoriam: Anthony Bourdain (1956-2018)”
In a slight departure from our usual Story of a Plate series, where we feature interesting and unusual dishes encountered at SA restaurants, we thought it would be fun to introduce you to a dish from Jean-Pierre’s recent travels to Maryland, D.C., where crab cakes are as ubiquitous on local menus as fish cakes are here at home.
While there are of course numerous variations on fish cakes (apparently the most ordered item on South African menus), like which fish is used, and which combination of spices and/or herbs, mashed potato is fairly standard across the board as a filler. In the US, the closest a potato will (or should) come to a crab cake is in the heap of French fries or crisps they are typically served with.
Continue reading “Story of a Dish: Maryland Crab Cake”
From our May 5 newsletter:
Artificial Intelligence (AI) is a divisive concept, as partly captured in the idea of whether we should welcome or fear the “robot overlords” (adapted from the 1977 film adaptation of HG Wells’ Empire of the Ants, in which Joan Collins reacts to the threat of giant ants out to take over the world with “I, for one, welcome our new insect overlords”).
In the restaurant world, digital innovations designed to make the lives of both diners and staff easier have been around for years already, from being able to order off interactive table surfaces at eateries like Inamo in London, to restaurants in China replacing waitstaff (and noodle makers) with robots, not to mention IBM’s “chef” version of Watson – the “supercomputer” that famously beat human contestants on the TV quiz show Jeopardy in 2011 – which allows both chefs and home cooks to generate innovative recipes based on a database that houses thousands of possible combinations of ingredients that none of us would imagine work, but which are scientifically compatible according to their flavour profiles (Watson has even “authored” a cookbook).
Continue reading “Artificial Intelligence in the Kitchen”
Certainly one of Cape Town’s longest-standing dining institutions, La Perla opened its doors in 1959. It’s the kind of place your parents probably ate at. It has gathered scrapbooks of famous diners and certain tables are known as “so-and-so’s”. But I struggle to get its mystique – at least by looking at the plate. Then again, by concentrating on the food, I think I’m looking in the wrong place. It’s all about the “face” of it here. Quite literally.
To start, there’s the fantastic position and its sea views, followed by the bold art that has always adorned the interior, and in human turn filled by the “see-and-be-seen” set since the beginning. Then there are the waiters, in their European white tunics, who put on a great show of being proper. They may in fact be the defining element of La Perla’s form of nostalgic food theatre, and some of them (fewer and fewer, it has to be said) have a decades-long tenure here. However, the feeling that there is an element of role-play was bolstered by our waiter, who smoothly enquired after our lunch order by starting with “ladies and gentlemen…” when there were only two men at the table. Continue reading “Classics: La Perla”
From our May 4 2018 newsletter:
Earlier this week, chef Clare Smyth (who worked with Gordon Ramsay for over a decade) was named elit Vodka‘s (in partnership with The World’s 50 Best Restaurants) “World’s Best Female Chef“, which some critics lauded as a win for Britain (Smyth being the first British chef to be recognised as such, after already being the first British female chef “to hold and retain 3 Michelin stars“), while others lamented what they saw as the condescension of having an award specifically for females (Bourdain’s tweet below, from 2013, indicates that this has been a concern for some time already):
Continue reading “The World’s “Best Female Chef””