The Washington Post Magazine offered reviews of 30 new restaurants in its Spring dining guide, summarised by reviewer Tom Sietsema. Let’s just pause there, while we in South Africa consider the scale of this – 30 brand new upper-end eateries in one quarter of one year in one city, Washington DC, alone.
From our May 5 newsletter:
Artificial Intelligence (AI) is a divisive concept, as partly captured in the idea of whether we should welcome or fear the “robot overlords” (adapted from the 1977 film adaptation of HG Wells’ Empire of the Ants, in which Joan Collins reacts to the threat of giant ants out to take over the world with “I, for one, welcome our new insect overlords”).
In the restaurant world, digital innovations designed to make the lives of both diners and staff easier have been around for years already, from being able to order off interactive table surfaces at eateries like Inamo in London, to restaurants in China replacing waitstaff (and noodle makers) with robots, not to mention IBM’s “chef” version of Watson – the “supercomputer” that famously beat human contestants on the TV quiz show Jeopardy in 2011 – which allows both chefs and home cooks to generate innovative recipes based on a database that houses thousands of possible combinations of ingredients that none of us would imagine work, but which are scientifically compatible according to their flavour profiles (Watson has even “authored” a cookbook).
Certainly one of Cape Town’s longest-standing dining institutions, La Perla opened its doors in 1959. It’s the kind of place your parents probably ate at. It has gathered scrapbooks of famous diners and certain tables are known as “so-and-so’s”. But I struggle to get its mystique – at least by looking at the plate. Then again, by concentrating on the food, I think I’m looking in the wrong place. It’s all about the “face” of it here. Quite literally.
To start, there’s the fantastic position and its sea views, followed by the bold art that has always adorned the interior, and in human turn filled by the “see-and-be-seen” set since the beginning. Then there are the waiters, in their European white tunics, who put on a great show of being proper. They may in fact be the defining element of La Perla’s form of nostalgic food theatre, and some of them (fewer and fewer, it has to be said) have a decades-long tenure here. However, the feeling that there is an element of role-play was bolstered by our waiter, who smoothly enquired after our lunch order by starting with “ladies and gentlemen…” when there were only two men at the table. Continue reading “Classics: La Perla”
From our May 4 2018 newsletter:
Earlier this week, chef Clare Smyth (who worked with Gordon Ramsay for over a decade) was named elit Vodka‘s (in partnership with The World’s 50 Best Restaurants) “World’s Best Female Chef“, which some critics lauded as a win for Britain (Smyth being the first British chef to be recognised as such, after already being the first British female chef “to hold and retain 3 Michelin stars“), while others lamented what they saw as the condescension of having an award specifically for females (Bourdain’s tweet below, from 2013, indicates that this has been a concern for some time already):
On the menu: Green sunflower, sunchoke, butternut, quince
One of the highlights of a recent visit was an intriguing play on risotto that used sunflower seeds instead of rice. How did you come up with that, and were you intending for it to be “risotto-like”?
Chef Michael Cooke: Yes, we were, and it took roughly nine months of development to create this dish. To give a bit of background, we keep a diary of everything that’s available on the Vergelegen property; we document the season, the exact time of the year each ingredient is available, and the timeline that it’s available for. We do this to keep ahead of the seasons, and to be on track for when something becomes available, so when it is, we’re ready to use it immediately when it’s at its peak, and not waste any valuable time as the timeline of that ingredient slowly withers away. Continue reading “Story of a Plate: Sunflower Seed “Risotto” at Camphors”
Blue-chip Cape estate, spectacular setting, wondrous gardens, superb wines, textbooks of history. Now that is either the most fantastic foundation for a restaurant, or a list of nerve-wracking expectations.*
Possibly the only quibble at a recent lunch was the service which lacked the high level of attention to the floor which I’ve experienced in the past, but then again, it was a busy lunch, with many tourists in the house. As for the rest, this account could begin and end with a simple exhortation for you to visit, or revisit, soonest.
A “Summer Harvest” menu offered four courses (with three to four options to choose from for each course), and a “Tour” (degustation) menu with ten courses. Optional wine pairings are available for each. For a while now, Camphors has presented the menus with the innovation of dishes being “graded” according to their flavour and texture “weight”. Those listed closest to the left margin are “light and delicate”, and each indent to the right describes a move towards the “full and rich”. Here’s what it looked like on a recent visit:
The Shortmarket Club (SC) has settled in and is now a happily reliable option for those who like more sophisticated dining experiences in the city. You can immediately see by the waistcoated staff and the service trolleys and the menu that’s laid out like an exemplar from a classic French bistro that SC aims to offer a more “adult” dining experience while most restaurants in the city take the casual contemporary road. One’s previous dining experiences (and certainly one’s age) play a part in how you’ll react to the “belle époque” ambience. I find it perfectly relaxing and I’d think that anyone who likes attractive spaces and pretty things will enjoy it – any hints of artifice are successfully trumped by the evident commitment to quality. Continue reading “Review: The Shortmarket Club”
On the menu: Citrus cured seabass with duck liver parfait, fine herbs, pickled cucumber, red pepper essence
We recently enjoyed the suprising combination of duck liver parfait with cured fish in this very pretty dish. How did you conceive of putting those two together?
Chef Gordon Manuel: This dish is from our Discovery menu, and while The Pool Room and Oak Valley have always been well-known for their pork and beef, those can get a little bit heavy, so part of my thinking since we took over the operation of the restaurant was to add a bit more finesse, but finesse without being overly finicky – no tweezers and that type of thing. It’s also about balance; adding something to the menu that’s not so meat-heavy, and that works really well. Continue reading “Story of a Plate: Citrus Cured Seabass at The Pool Room”